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my name is deepika vermesh it is april 18th 2021 i am interviewing jeff rosenfeld can you tell us a little bit about where you're from i'm originally from denver colorado um grew up there my parents still live there and then uh went went to college out outside and uh of there and um lived outside for a bit and then um eventually moved uh over to irving and then here in dallas where we've lived for i don't know maybe about 19 years or something like that okay and how did you become an artist and what does art mean to you so um growing up in colorado
my dad in the basement had a little wood shop and uh he taught me you know just making various things out of wood uh he had a lathe and so i did a number of things on the lathe uh actually my my first sale was to my aunt who bought a bowl that i'd made on the lathe i think she bought it for for fifty dollars and said it'd be worth something someday i i'm not not sure it is yet but um uh sort of started there and um and i actually um used that lathe to make some uh mesozoid that i sold out in
out in college at brandeis in massachusetts and then studied abroad in israel and sold a couple in israel and then um really just you know sort of stopped for a bit and my dad then many years later actually in 2009 um invited me to go to a marvel marble carving course in colorado and actually in marble colorado um where the marble cory is for the um lincoln monument and washington monument i believe um and so uh he had gone before and i decided to join him just a fun father-son activity and learned how to carve marble there for for a week and in this gorgeous
scenery and so um you know that's that's a little bit of of where i got started and just enjoyed it and got some stone and started messing around in the backyard and so continued to do that to this day actually literally today i was out in the backyard um carving again and and uh you know it's just um a fun way to take my mind off the day-to-day and um uh you know see what see what i can create and come up with okay um and what would how would you describe your artistic style um you know i think from uh from a stone perspective
uh it's it's really very much abstract i i don't have the patience nor the talent for for a lot of the detail work i've got um you know seen other artists that have tremendous respect for what they do um for me i like sort of you know the the simpler shapes and um and curves um but try to push myself to some more complex um designs as well um usually tend to be um you know some would say uh architectural or mathematical which is sort of my professional background and really try to blend those two but just try to have something that you know is
this aesthetically pleasing and interesting um you know but but sort of generally you know contemporary abstract um what is so you mentioned stone is that your primary medium and do you work with anything else so lately it's pretty much just been stone marble alabaster onyx the i have done some work and metal in the past um and then um i've done a little bit in painting although not much and then uh as i mentioned growing up in wood but for probably the last uh you know 10 you know 10 years or so pretty much just stone what themes or ideas do you explore through your
art and how do you think judaism influences your work yeah you know i've um i i did a menorah out of stone um i did uh a piece um somewhat recently that was sort of uh an abstract version of a star of david um but other than that it's uh it's it's really just abstract i'd say that the inspiration is probably more primarily just curves and and ribbon and balance um you know working on some stuff now just trying to um you know figure out not just an aesthetic balance but the physical balance of the piece um and um uh you know various mathematical complexity
of um uh you know repeating patterns and things like that so um you know judaism is an important part of my life as far as my artwork um you know it comes in in places but probably isn't the primary focus since the theme of the exhibit is color how would you describe the way you use color in your work um so you know it's really just whatever's in the stone naturally you know there are a number of stone sculpture stone sculptors that stick pretty much just to to white um it's uh one of the more common marbles i actually love exploring different colors and so
have seeked out stones and in a wide range of colors and um uh you know uh just try to try to come up with designs that really highlight the the color and beauty of the natural what can you tell us about the work you are going to be sharing at spain um you know um i i haven't a hundred percent decided which two pieces but the ones that i'm leaning on when you actually speak to color um one of my very favorite stones which is pretty hard to come by called brazilian sodalite has a beautiful range of very dark blues uh royal um blues um
white and a little bit of black in it it's a very hard stone both physically hard and sort of a pain to carve because it chips um but um creates a real beautiful finished product so i think that's one that i'd be looking at um bringing uh just sort of a teardrop shape but a little bit of a mobius to that which is basically where one side blends into the other um and then another is a piece that um is is sort of just a simple uh ribbon or curve twisting on itself um on um on a granite base it uh is from turkish lilac
marble that um is is a beautiful white marble with uh heavy veining in purple um which uh you know it's just a real pretty stone so um i think uh both of those are probably what i'd put in the put in the show and one last question what is something you want viewers to know or take away from your artwork um you know i i think more than anything it's about personal taste and you know um you know uh if somebody should you know get it if they're if they enjoy looking at it and you know i really try and and whatever i make to
have it be you know something that's that generates interest by you know when you look at it you can't quite figure it out from one angle i mean sculpture is a three-dimensional art form it needs to be looked at from multiple sides and angles and i think a good um sculpture is one that sort of requires the the viewer to you know look at it from different angles to really start to um understand it or appreciate it uh as opposed to just um one viewpoint so would encourage anybody looking at my art or anybody's um uh 3d sculpture to sort of take it in that
way and you know some uh you know it might appeal to some and and not others honestly even some of my pieces i i like more than others so i think that's just the nature of art well thank you so much for your time job you