Full Transcript
originally chicago left chicago when i was eight and my family moved to houston i was in houston until 1983 and then we came to dallas and i've been in richardson since 1983. so a while i have always created um i never really thought of it as artwork i always just did stuff and i was always doing stuff mainly three-dimensional my parents house was full of the things that i created i was in school for business degrees and when i went back was ready to go back to school when and finish a masters when my youngest child was old enough um i started looking at mba programs and my husband said what about art and i said what are you talking about i looked into a master of art program and was told that i had been out of
school long enough that i would need to go back for a bachelor's and pick up some courses and being 40 years old with three young kids i just couldn't see that so i started taking some glass classes and pottery classes and figurative sculpture classes and making things as to give as gifts and people started buying from me to give as gifts and that's how i got started what can you tell us about your involvement with the texas jewish arts association and what does it mean to you i've been involved since the very beginning i was one of the founders i saw a need for a
jewish group for an artist's group for jewish artists i realized that i didn't know many of the artists who i didn't know i didn't know they were jewish i was involved with texas sculpture association for many many years and they would have their show openings on shabbat and on era of yom kippur and the first night of pesach and i realized we needed another organization where we didn't have to make decisions like that where people jews were welcome and they didn't have to bend their religious rules their strictures in order to attend the openings they could come to receptions and know that they could eat
the food and i was so i was involved in organizing the group there were seven of us to begin with and i was not ready to take on the presidency because i had held the presidency of texas sculpture association only a few years before that so i took on a treasurer and membership chair and did that for four years and when veronique jonas who was president the first president was ready to resign um i took over as president so i have just completed my fourth year as president and i agreed to a second term so i have two more years to go primary medium is
glass predominantly fused glass and some stained glass and i teach both i was drawn to it when i was looking for art classes to take instead of going to school for a master of arts and i found a a stained glass studio and i started taking that class and it was it was fabulous being able to work with the glass and control it and grind it and shape it and glass is just it's beautiful it has a luminescence and and it shines and um it reflects and refracts light um also while i was taking pottery classes i came across a woman who was trying to
teach fused glass and in the early 90s fused glass was a very very new technique and she was she taught it using the old pottery kilns at the craft guild everything came out ruined but i was absolutely hooked and she helped me purchase my first kiln and i took the one fused glass class that was available in dallas at the time and after that i spent three years buying fusible glass and creating and ruining and trying again and just learning by trial and error but the the number of techniques available especially for fused glass and this is kiln-fired glass are just almost limitless my artistic
style well in my judaic work uh i'm drawn to a couple of symbols uh the shin and the flames and the narton mead and [Music] the the tree of life um one of my favorite prayers is eights kayam um the torah is a tree of life for all who hold it dear and i find that that symbology comes out in my artwork my style changes over time if i i like to try new techniques i don't want to do the same thing over and over again i want to expand my horizons i want to push the envelope i want to see what else i can
do so as far as style i may get an idea from an inspiration of a shape or a color or there's a show coming up and there's a particular theme that i need to create a piece of artwork for um and i will think through the engineering of the piece and bring out glass and and literally see what speaks to me what what sheets of glass what colors go together um think of the the chemical compositions and how they'll react with each other and what i'm trying to accomplish and how and um what form i want the piece to take what texture do i want
it to have fused glass is very technical so that's my style those three that i mentioned uh come up in my artwork a lot whether i do that intentionally or not they just come uh hebrew lettering the the serifs on on the letters come out in my work uh it it's it's a beautiful form it's it's that that swoosh that that curve um it has a seductiveness to me when i grind glass and i grind it into those shapes and when i fire it into those shapes it's it's just beautiful it speaks to me the pieces that i submitted for the show is a menorah
and um i believe i titled it jacob's coat menorah it is strips of glass that of varying colors that i stood on on edge and fired together so so each piece is touching and i built it out and then it it stands up and that's the back of the menorah i want them to look at my artwork and come away with their own ideas i will title a piece of art something that i feel but i want them to feel their own their own expression their own ideas get their own interpretation of the piece the piece behind me is a piece on immigration and it's
called i forgot what it's called uh i'm going to say arrested potential but i don't think i used the word arrested but um the potential of immigrants coming in to me is is very important and the stump in the middle is the group of immigrants who have been denied access my family was immigrated here as most people have there are very few people who were here from the beginning i i want people to look at my work and see inclusiveness not just jewish work but for all work it is it is for everybody