Robin Sachs
Robin Sachs was born in Dallas into a family with deep Texas roots. Her father was also born in Dallas, and her mother was born in Pittsburgh but grew up mostly in Wichita Falls, Texas, making the family Texans for generations. Robin grew up in North Dallas on a cul-de-sac that, despite being in the heart of the area, was surrounded by fields, horse pastures, and a small lake. She spent much of her childhood outdoors, hiking and riding horses, and loved reading, writing, and anything creative. Her family were long-term members of Temple Emanu-El, a connection shared by her parents, grandparents, aunts, uncles, and cousins.
Robin discovered her passion for photography in the days of film, manual cameras, and darkrooms. Right out of college she taught newspaper and journalism at North Dallas High School, buying her first camera, a Nikon, to teach students who could not afford one. At night she worked at a place in Snyder Plaza called the photographic center, where she met other photographers, including her mentor Chris Regas, with whom she shared a studio in Deep Ellum at 500 Exposition for more than twenty years. Her style evolved from black and white fine art and mixed media experiments to commissioned portraits and large commercial ad campaigns, and she has since circled back to photography as an art form.
Robin loves working in series, doing deep dives into subjects that inspire her. She co-authored a book called I Am a Teacher, published by Simon and Schuster, for which she traveled to every state photographing and interviewing teachers. Other projects include work for a women's hospital and a personal series documenting her childhood home at 5850 Dexter Drive on the last day her mother lived there. Her current projects, Outer Layers and Namesake, explore organic surfaces and people who share the same first name. She has traveled and photographed around the world, and remains active in the community as a past president of Jewish Family Service, a role she serves with pride.
Full Transcript
good afternoon my name is joe reingold today is what is today may 5th no may 4th 2021 and i'm here with robin sacks and i'll be interviewing her this afternoon hi robin thank you for being here hi first thing we want to know is where was your family from where did they live where did they grow up and then where were you from and where did you grow up so i was born in dallas my father was born in dallas and my mother was born in pittsburgh but grew up most of her life in wichita falls texas so we are texans for generations oh great
okay and what area did you live in and what were your kind of hobbies when you were growing up um i grew up in north dallas um on a street that um was a cul-de-sac and even though it was in the the heart of north dallas we were surrounded by fields and there were horse pastures down the street and a big open field across the street with a small lake and we spent most of i spent most of my childhood outdoors outside and um so it was north dallas and what kind of things did you enjoy in school in your schooling um english anything creative
uh i loved reading i love english i love writing i didn't know that i loved photography uh my brother was actually the one in the in the bathroom developing film so i really didn't know that i loved art and photography until quite a bit later that that i can talk about but um yeah i love i was always great hiking and we had horses that we horseback road on a regular basis and um yeah we grew up outdoors wonderful yeah were you was your family involved in anything jewishly or or uh civically um they my we were long-term members of temple emmanuel um uh i
mean like my parents my grandparents uh my aunts and uncles and their kids we were all long-term members of temple emmanuel and and those of us who still live here are all still members of temple emanuel dallas okay wonderful i mean i remember rabbi olin quite well you know all the all the old rabbis and my grandparents knew rabbi lefkowitz it was it we've just been long-term members of the community so in that case i want to ask you because it's rare that i get to interview a native dallasite how have you seen dallas change from when you were very young till now what do
you think oh my goodness um first of all it's developed i mean when i grew up dallas was a a big town i wouldn't even call it a city and you i guess you'd call it a very small city but it was really a big town um i mean i used to pasture my horses at central expressway and meadow road so and i went to benjamin franklin high school we walk across the street and go to the horse pasture so it's really developed i like the fact that there are a lot of different um people who've moved in here to make the city a richer
more more ethnic ethnically varied place and the architecture is beautiful i'm glad that they preserved some of the old architecture the new architecture is beautiful i think dallas is developing into a very interesting city and i'm happy to see it very good so speaking of that uh how and when did you realize that your bent was in the artistic field um i i really i'm a photographer and i fell in love with photography in the days when there was film and dark rooms and manual cameras that we had to learn and as a matter of fact the room i'm sitting in right now which is
my digital darkroom used to be my home chemistry darkroom um and then i i had a studio down in d bellum for decades and i had a dark room there as well but i fell in love with photography in those days in those early days with film and right out of college i was teaching newspaper and journalism at a high school it's a really low income school in dallas called north dallas high school and no none of the kids there could afford a camera they didn't have a camera there were no cell phones or camera phones in those days so i went out and bought
myself my first camera which was a niker met ft2 it was one of the first nikons and i bought it taught myself how to use it and just never put it down after that and so during the day i was teaching the kids photography to use for their newspaper and and multimedia class and at night i would work at a place in snyder plaza that was called the photographic center and there i would help out teach people how to process and print film and i met a lot of other photographers and one of those photographers became my mentor his name was chris regas and he
was a crazy creative photographer who taught me to think and look out of the box and we became good friends and he taught me a lot and we actually shared a studio that studio deep ellum i mentioned at 500 exposition we were there for 20 plus years sharing the studio together so expand a little bit on what you would consider your artistic style well i can tell you that it's changed um at first uh i only did photography as an art form uh and it was all black and white and out of the box contemporary um and then i started experimenting around with photography which
incorporated mixed media i would stitch and sew on photographic prints i incorporated it with glass i even took pieces of photographic prints and and made a woven piece so i would weave them together i just was experimenting around and then my life changed through divorce and i needed to make a living and i decided i would make it doing photography so then i started doing commission portraits um so i've photographed so much of the jewish community i i have a history of it um but a lot of commissioned portraits and then i went from there into um big time commercial photography so i've done a
lot of ad campaigns and annual reports over the years and now i'm headed back i'm i'm circling back to photography's and art form i'm at that period in my life where i think i just want to explore photography again the way i loved it first um and and just as an art form beautiful thank you can you specify what kind of themes or concepts inspire your work um i i love working in series um that's my passion i i like to do a deep dive into something um so i can talk about my series but what inspires me is i'm inspired by exploring places and
trying things that i've never tried before i've traveled all over the world from asia to africa to antarctica and photographed all these places in every state united states i've read about photography and photographers for just extensively and i enjoy creative critique groups and other brainstorming with and just chatting with other artists and sometimes the creative process flows for me and sometimes not so much but everything about art for me is um about personal interpretation even even if i call it documentary for me it's it's just a creative process and the creative process is sometimes very solitary it's a solitary place it's not just being out
among people and places and photographing and shooting it's about editing and altering and interpreting what and why i photographed a certain way or a certain thing okay one of my personal favorite things is does judaism influence your artwork at all yes absolutely but mostly in the sense that it is part of who i am always have been and how i view the world okay and what do you want your viewers to know about your work um i want i i know um the commissioned private ports of portraits i have of families and and my artwork that i've created have have some longevity but i also
hope that the images relay a little understanding and express my attitude about life and people and and uh whether it's about well i can tell you about some series i've done so it's about the series i've done of teachers or the earth or or just how people and places relate to each other okay but those the series i've done are really um how i like to work and they've been important to me i did a book that i co-authored called i am a teacher where i went to every state united states and i photographed and interviewed school teachers from one room school houses in north
dakota to alaska to inner city chicago or new york and it was they were school teachers that um new school teachers seasoned school teachers science teachers english teachers first grade teachers and i just wanted to photograph them and also listen to what they had to say and that was the book that culminated in i am a teacher that was published by simon schuster and i spent a year working on that project and it was just glorious but other projects i've done i've done a project of hands and faces that were for women's hospital that was near and dear to my heart i photographed my house
that i grew up in at 5850 dexter drive on the last day that my mother lived there she was an old woman by that time and i photographed 5850 dexter drive every room every little nook and cranny that every little architectural detail and things that were in good shape and things that were worn that had relevance to me and my childhood and um and the text of that series just like in the teacher book the text were the interview excerpts the text in this project 5850 dexter were my memories of growing up there as well as my sister and my brother's memories of growing up
on dexter drive um those were great projects the the projects and the series i'm working on now i started a while ago and i'm just as i said kind of circling back to those um one is a project called outer layers and um it has to do with photographing organic outer layers whether it's tree bark or skin or soil mud ice very tight photographs and very abstract and very large prints so i'm not sure if i like them best black and white because i'm i'm i like black and white a lot or i'm going to keep them in color i'm not sure then the other
project i'm circling back to is one in which people share the same name the their first names so if they all share the first name for example the name rachel well that could be a young girl an old woman someone who's anglo someone who is hebrew maybe someone who's not hebrews i mean just every ethnicity all those people who share the same name and for some reason um maybe it's a divine reason they've been given the same name and they all share that that string that thread so i've been looking into the outer layers and into the share the name project which i call namesake
so i've been working on those projects for a little while and i'm going to get back to them now you sound very busy to me thank you about our specific project for dallas jewish historical society which is called savaim what can you tell us about the pieces that you've chosen that are going to be exhibited what was the inspiration for them and how you selected their titles well the titles are going to be what they are um so i'm going to probably be showing speed parts from my outer layer series and i don't know if i'm going to use one that was these malted molten
organic ostrich feathers that were on an ostrich or if i'm going to be using some organic salt formations that i photographed in bolivia it's all going to be organic outer layers and i'm not sure which ones i'm going to include yet but that's what they'll be i also want to mention joe that as far as in community i'm a past president of jewish family service and i'm really proud of that um it was from 2008 to 2010 so i just thought i'd mention that um i'm still a huge believer in um jewish family service and the work that they do and a big supporter of
that fantastic thank you i know you mentioned some mentors that you've had and along that line can you think of another person perhaps specifically that was a role model for you in your field my artwork and my field it would be chris regas probably um there another photographer walter nelson who taught me about um 8x10 cameras and 4x5 cameras and he was he was also instrumental in teaching me large format and a lot about special processes like albumin printing not just silver printing but um dye transfer prints and and incorporating sculpture with painting and photography so those two are probably personal mentors i mean people
i look up to would be amy vitale national national geographic i love her work and and um how she um is very busy in helping people in places um other mentors would be of course mary ellen mark and and um uh um diane arbus whose work i just adore one more thing i know you have so many projects and so many things you've done that are absolutely fantastic but is there anything you can think of that you perhaps have been the most proud of with your work with my work very proud of my presidency of jewish family service um i'm proud of i'm really proud
of that teacher book um i think it it gives pete it gave teachers a chance to say what they needed to say um uh i'm very proud of that um it incorporated both my journalism training and background and also my photography and i i i think it was important it's important to listen to teachers and i don't think they get enough credit for all the work that they do as a retired teacher i can appreciate i've seen a lot of your work by the way and it's just phenomenal and we're so proud that you're doing this project with us we really enjoy it thank you
my only touch of photography was was taking a picture of the brooklyn bridge backwards and i actually won an award for that okay there you go that is it my only deal into photography so robin what would you like to say to sum it all up and add to this interview um what do i want to say and add to this interview i'm i'm proud to have grown up in dallas dallas has gone through a lot of changes during my lifetime i'm proud to have grown up here and it was a wonderful thing to grow up with all the space around us too and a
lot of freedom that we had um and i was fortunate to have um and i i think my work um the freedom to just have space also allowed me to have the space to express myself the way i wanted to in in my artwork it's just a sense of space for me well we certainly look forward to seeing all of your works and thank you so much for being here today and we appreciate thank you very much thank you thank you take care bye bye